Take It Light and Hungry Muffins

I had this thought last night before work. I was foot loosing through some drafts of head poems that were approaching paper semi-permanence and what I was thinking about was a way to make the words more active. One of the problems with poetry is that it lends itself to passive construction, which is not always a bad thing as a starting point, but is a bad thing in the final deliverable. Poetry saddled up high and hard with passive constructions and ideas and sentences and fragments becomes burdensome pretty quickly.

The longer the poem the more noticeable the passive effect becomes and it's frustrating to me. For me it's a major obstacle most of the time. Taking a point of view out of a poem, making it neuter, or making it accessible and multiplicable, I guess open ended comes to mind, can also very quickly take so much focus out of it that it becomes a lot like staring at those damnable 3D art calendars that are supposed to be ships on the canals of Venice if you stare through them hard enough for an hour or two and that's not always what I want to create. Passivity leaves "so what"s dangling in the air afterward. Forgetability is probably the greatest symptom that tells you something bore too many passive structures to mean what it wanted to mean, whether by accident or on purpose. Which made me think some more as I tongued the words over and over to get a better angle.

What I struck on, and it's not new, is the idea that it's easy to write about being hungry, or being depraved, or being happy. The thing that adds in some separation between the people that can do that and the people that can write about hunger, the people that can write about depravity, and the people that can construct happiness is the conversion, successful conversion, of passive to active without losing parallels and loops and flurries of movement in meaning and senses that make words vibrate and condense into what could be considered a poem. Personally my definition of poetry is pretty wide. My professors never took too much of a shine to it, but whatever. They had Ph.Ds to work on or something. Skin tight jeans to squeeze into. Hair to gel. And tattoos to reveal corners of to beg questions from star eyed lyric junkie chicks. I assume. I'm pretty sure one was too busy to help me pass his class because he was way too busy cramming elements of his thesis into our heads to get raw useful material out of us that he could reincorporate later. Also too busy sucking his own cock. Which is beside the point.

I want to write not about being hungry, or being a muffin, or being asleep, but what I want to capture the verb state of hunger, the verbness of the muffin, the sensation of the sleeping and sometimes in the building it's so easy to slip off on passive bubbles and think I've accomplished something when in reality it was forgettable to everyone who wasn't there to see the furious action, the sparks, the welding, the rivet guns, and the workers high in the sky putting it all together and wrecking ballin' it back down and throwing it up again higher and higher and lower and lower.

I guess what I'm trying to say is I need to remember not to beat myself up over the work I love to do. At least not too hard. It is, afterall, my chosen line of work. The rest is just to make sure I have enough to keep on going until it's all done and all over. And that's what counts. So I say right now. From the top of a cresting wave of anti-comedown. From the edges of comfortable space.

Space has been treating me alright. I'm probably about to leave the inner system at some point. The view has been great. Miss the steady contact, but quite frankly it was unsustainable without help and on top of that it was as many parts discomfort as comfort. I don't know if all or nothing is reasonable, but it is a way. And for a plains walking spaceman it's the only way I've come to know for sure that let's me go as I mean to run on. So I take it. Light and sound. I don't really know if I'm gonna try to land again. Probably not. Gravity is for chumps.

On a totally unrelated note: I just realized that if I turn my chapstick all the way down there is virtually no way for it to get screwed up into the cap as it rubs against the sides of my pockets. Why did it take me damn near ten years of using chapsticks to figure that out!? Talk about essential information no one told me EVER. I mean, I'm sometimes not the fastest car on the track, but am I the last person in my peer group to figure this out? I suspect, quite possibly, yes.


///The Orb - "Spanish Castles in Space" After you come home from the longest day of work ever and lock your front door, put this on loud enough to hear it clearly no matter what you're doing. In the time it takes you to take your shoes off, take off your clothes, crack a beer, roll a joint, put on your homey clothes, and start to think about dinner and actually start to breath easy this song will sop it's way right into your brain and you won't even have realized it's whispering in your ear and all the bottom half of your brain can feel is the ocean lapping at your brain stem and your spine unwinding and you haven't done a damn thing to force the issue. It's just there. Actively soothing you.